Alyssa Quinn’s poem kaleidoscopes from a birds-eye view the earth, the cracking white earth of the salt flats. With fluid grace, the poem moves from the grass and ground to geometric ideals, so that the reader holds both in their…
Sonnets are the perennial form because within the fourteen lines is a universe of choices. Sam Pittman’s new poem makes these choices with grace, guiding the reader’s breath with such maturity that the final couplet easily takes it away. …
“Glitter Ode” struts through a exuberant associative landscape, with glitter—marvelously annoying and excessive—as anchor, as compass. Hemmert’s poem has got us on our feet, wiggling, turning our hips and shoulders and feet, looking for the shine. Glitter Ode …
Our editors love the way Shane Chergosky’s poem generates an authentic and gothic setting out of the skate park—the empty cans, the suggestion of infinity, and that sick, bleeding sky. “Corporal” exceeds itself and its deliberately banal details wonderfully at…
Daniel Moore’s “Infant Tusks” breaks hearts, while the poem plays with its central image ingeniously. Levity, cruelty, danger, and pride—all here. All a piece of parenting. Infant Tusks If only I had, they would have been, what, different? Less…
New month, new courage: submit yourself to these fellowships, magazines, awards and internships. Remember, too, acceptances and rejections are by-products of this journey—crafting your authentic art is the goal. And as always, submit poetry for free to our New Voices.…
Alyx Jordan captures something of the “ruthless” flesh here. They’ve buried our bodies in the dirt, the pine needles—asking to play a game of shovels and live-wire. “Something—Eye Spy” is not a poem to be missed. Something — Eye…
Michael Trocchia’s poem plays with wonderful absurdity, with “gross splendor” from every angle—crafting an esthetic relaxation where the profound dances gracefully in your peripheral vision. “One Man’s Success and Failure” is a triumph of blah. ON ONE MAN’S SUCCESS…
Our Industry Prize judges were equally admirable of Brian Tierney’s poetry as they were of Gabriel Kruis’—they both tied for second place. Today we publish Tierney’s poem, “Polyphagia,” a wonderful and vulnerable meditation on the struggle of an eating disorder.…
We’re always on the lookout for a great poem that uses rhyme and meter in traditional ways—Vedran Husic’s “Cantata” excels with elegant, simple rhymes. As its title suggests, the heart of the work is music, a thing for your mouth,…
