Family—whether chosen or given—shapes us in ways both tender and tumultuous. It can be a source of origin, belonging, community, and culture, while also holding heartbreak, loss, and complexity. During the holidays, these bonds often feel amplified: the absence of loved ones aches deeper, and their presence glows brighter—despite the occasional chaos. The annual argument before dinner. The uncanny regression that happens the moment we step through the door of our childhood home. The wild uncle with outdated views and too much eggnog.
We’re looking for poetry that pulls up a chair at your family table. The 2025 Family & Home Prize seeks poems that navigate the intimate terrain of family dynamics—rivalries, traditions, estrangements, reconciliations, grief, and love. Whether you're honoring legacy or confronting trauma, send us work that is honest, unflinching, and crafted with poetic precision.
Frontier Poetry welcomes all interpretations of family. We proudly encourage submissions from poets of all identities, cultures, and backgrounds.
Guest judge Sean Hill will select the winners. The first-place winner will receive $3,000 and publication. The second- and third-place winners will receive $300 and $200, respectively, along with publication. All finalists will be considered for paid publication in New Voices.
This contest opens October 14th and closes December 14th.
Further reading for inspiration can be found here:
Sean Hill is the author of the forthcoming multi-genre collection, The Negroes Send Their Love
(Milkweed Editions, 2026), and two poetry collections, Dangerous Goods (Milkweed Editions,
2014), and Blood Ties & Brown Liquor (UGA Press, 2008). Hill has received numerous awards, including fellowships from the Cave Canem Foundation, Stanford University, and the National Endowment for the Arts. Hill’s poems and essays have appeared in numerous journals including Callaloo, New England Review, Orion, and Poetry, and in nearly three dozen anthologies. Hill has served as the director of the Minnesota Northwoods Writers Conference at Bemidji State University since 2012. Hill lives in southwestern Montana with his family and is an Associate Professor of Creative Writing at the University of Montana.
It’s an honor to judge Frontier’s 2025 Family & Home Prize. A relationship to family and home are two of the many things we all share as human beings. I’m interested in poems that explore the families and homes we’re born to, the ones we choose, and the families that choose us. I remember first encountering Etheridge Knight’s “The Idea of Ancestry” and being moved by how the speaker nearly escaped addiction by going back home to visit family. I was in college then, only seventy miles from my own home, and I felt the poem intensely. Around that same time, I read Heaney’s “Digging,” Komunyakaa’s “My Father’s Love Letters,” and Rita Dove’s “Daystar,” and began to understand other ways of seeing family and home. Poets like Jericho Brown, Remica Bingham-Risher, Donika Kelly, and many others continue to help me think and feel through these themes. I’m excited for what I’ll recognize—or be newly introduced to—about “home” and “family” in your poems.
This option costs $59 and will provide you with two pages of detailed and actionable feedback on your submission, including suggestions for future submissions. The $149 option will provide you with three letters from three different editors. Our guest editors are paid a significant portion of the fee and all are astute and professional poets. Please allow eight to ten weeks after the contest closes to receive your feedback.
Fall can be a beautifully inspiring—and incredibly busy—season for writers. With the school year underway, work demands increasing, and the holiday season approaching, finding dedicated time to write can be a challenge. At Frontier Poetry, we strive to remain attuned to both the dreams and realities of our submitters, offering an ever-evolving array of opportunities to support your creative journey.
We’re thrilled to invite you to join the 2025 Fall Poetry Lab—a unique experience designed to provide personalized editorial feedback, curated learning resources, and the invaluable chance to collaborate with fellow poets during this bustling time of year. Registrations are open from October 1 to October 31, 2025.
This lab is an all-online space where you can get your work edited by our consultants, writers who either have significant publishing experience, work at an MFA program, or work in the publishing industry. They will apply their expertise to your poems, providing in-depth developmental feedback that will help your best work find its way to the page. Our consultants receive a significant portion of the lab fee.
Below are a few stand out opportunities of the poetry lab program—we’re doing our utmost to pack this opportunity with great material for you!
And just when you thought it couldn’t get better….
Akashic Books has generously partnered with us for the month, and all our lab participants will receive a code ( applied during checkout) which provides a 30% discount on (most) of the books on their site, which can be found HERE.
Sign up, submit up to ten pages of poetry, and get ready to take your writing to the next level. This sample gives our editors a fuller picture of your voice, strengths, and opportunities for growth.
Natasha Rao is the author of Latitude, which was selected by Ada Limón as the winner of the 2021 APR/Honickman First Book Prize. The recipient of a 2021 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, she has also received fellowships from Bread Loaf, the Sewanee Writers’ Conference, and the Vermont Studio Center. She has received additional support from the Community of Writers, the Hambidge Center, and the VCCA. Her work appears in The Nation, American Poetry Review, The Atlantic, The New York Times Magazine, The Yale Review, and elsewhere. She holds a BA from Brown University and an MFA from NYU, where she was a Goldwater Fellow. She is currently Co-Editor of American Chordata.
Memoirist, essayist, and poet Rebecca Evans’ Safe Handling, a collection-length poem, weaves family and heartbreak while navigating our challenging medical industry. Her memoir in verse, Tangled by Blood, bridges motherhood and betrayal, untangling wounds and restoring what it means to be a mother. Evans’ poems and essays have appeared in Narratively, The Rumpus, Brevity, Hypertext Magazine, War, Literature & the Arts, The Limberlost Review, and more. She's earned two MFAs, one in creative nonfiction, the other in poetry, from the University of Nevada, Reno at Lake Tahoe. She’s co-edited an anthology of poems, When There Are Nine, a tribute to the life and achievements of Ruth Bader Ginsburg (Moon Tide Press, 2022), She teaches high school teens in the juvenile justice system through journaling and art projects and co-hosts Radio Boise’s “Writer to Writer” show. Rebecca is disabled, a military veteran, and shares space with four Newfoundlands and her sons. She does her best writing in a hidden alcove beneath her stairway.
Sam Herschel Wein (he/they) is a lollygagging plum of a poet who specializes in perpetual frolicking. They have an MFA from the University of Tennessee and were the recipient of a 2022 Pushcart Prize. Their third chapbook, Butt Stuff Flower Bush, is out now with Porkbelly Press. He co-founded and edits Underblong Journal. They have recent work in Poetry Northwest, The Los Angeles Review, and Puerto del Sol, among others.
How much interaction will I have with the editors?
How much interaction will I have with the other participants?
Will this help me with my book?
Will I have to Zoom or get on the phone?
Can I purchase a spot for a friend?
We are thrilled to offer significant payment to our partner poets: $50 per poem.
We warmly invite poets from historically under-represented and marginalized groups to submit. Our aim is to be an accurate representation of the diversity of our community. Your voice is valued here.
Unless specifically requested, we do not accept AI-generated work.
Frontier Poetry holds first publication rights for three months after publication, after which rights revert to the author. Authors agree not to publish, nor authorize or permit the publication of, any part of the material for three months following first publication. For reprints, we ask for acknowledgment of publication in Frontier Poetry first.